Our second Coen Brothers film for July is The Big Lebowski.
The Big Lebowski is a 1998 crime comedy film written, directed, produced and co-edited by Joel and Ethan Coen. It follows the life of Jeffrey "The Dude" Lebowski (Jeff Bridges), a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity then learns that a millionaire, also named Jeffrey Lebowski (David Huddleston), was the intended victim. The millionaire Lebowski's trophy wife is supposedly kidnapped and millionaire Lebowski commissions the Dude to deliver the ransom to secure her release. The plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money for the Dude and himself. Sam Elliott, Julianne Moore, Steve Buscemi, John Turturro, Philip Seymour Hoffman, Tara Reid, David Thewlis, Peter Stormare, Jimmie Dale Gilmore, Jon Polito and Ben Gazzara also appear in supporting roles.
The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. The Big Lebowski received mixed reviews at the time of its release. Reviews have since become largely positive and the film has become a cult favorite, noted for its eccentric characters, comedic dream sequences, idiosyncratic dialogue and eclectic soundtrack. In 2014, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant."
It currently holds an 80% on Rotten Tomatoes and Roger Ebert gave it 3/4 stars originally, in 1998, and later gave it 4/4 and added it to his list of Great Movies, saying this in his review, "“The Big Lebowski” is about an attitude, not a story. It’s easy to miss that, because the story is so urgently pursued. It involves kidnapping, ransom money, a porno king, a reclusive millionaire, a runaway girl, the Malibu police, a woman who paints while nude and strapped to an overhead harness, and the last act of the disagreement between Vietnam veterans and Flower Power. It has more scenes about bowling than anything else. This is a plot and dialogue that perhaps only the Coen Brothers could have devised. I’m thinking less of their clarity in “Fargo” and “No Country for Old Men” than of the almost hallucinatory logic of “Raising Arizona” and “The Hudsucker Proxy.” Only a steady hand in the midst of madness allows them to hold it all together–that, and the delirious richness of their visual approach."
We will be meeting Thursday, July 24 at 5:30pm
Here's the trailer:
https://www.youtube.com/watch?v=cd-go0oBF4Y
Hope to see you there!