July Film #2

 Our second Coen Brothers film for July is The Big Lebowski.

The Big Lebowski is a 1998 crime comedy film written, directed, produced and co-edited by Joel and Ethan Coen. It follows the life of Jeffrey "The Dude" Lebowski (Jeff Bridges), a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity then learns that a millionaire, also named Jeffrey Lebowski (David Huddleston), was the intended victim. The millionaire Lebowski's trophy wife is supposedly kidnapped and millionaire Lebowski commissions the Dude to deliver the ransom to secure her release. The plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money for the Dude and himself. Sam Elliott, Julianne Moore, Steve Buscemi, John Turturro, Philip Seymour Hoffman, Tara Reid, David Thewlis, Peter Stormare, Jimmie Dale Gilmore, Jon Polito and Ben Gazzara also appear in supporting roles.

The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. The Big Lebowski received mixed reviews at the time of its release. Reviews have since become largely positive and the film has become a cult favorite, noted for its eccentric characters, comedic dream sequences, idiosyncratic dialogue and eclectic soundtrack. In 2014, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant."

It currently holds an 80% on Rotten Tomatoes and Roger Ebert gave it 3/4 stars originally, in 1998, and later gave it 4/4 and added it to his list of Great Movies, saying this in his review, "“The Big Lebowski” is about an attitude, not a story. It’s easy to miss that, because the story is so urgently pursued. It involves kidnapping, ransom money, a porno king, a reclusive millionaire, a runaway girl, the Malibu police, a woman who paints while nude and strapped to an overhead harness, and the last act of the disagreement between Vietnam veterans and Flower Power. It has more scenes about bowling than anything else. This is a plot and dialogue that perhaps only the Coen Brothers could have devised. I’m thinking less of their clarity in “Fargo” and “No Country for Old Men” than of the almost hallucinatory logic of “Raising Arizona” and “The Hudsucker Proxy.” Only a steady hand in the midst of madness allows them to hold it all together–that, and the delirious richness of their visual approach."

We will be meeting Thursday, July 24 at 5:30pm 

Here's the trailer:

https://www.youtube.com/watch?v=cd-go0oBF4Y

Hope to see you there!

July Film Club #1

 Our first film for July is Barton Fink.

Barton Fink is a 1991 American black comedy thriller film written, produced and directed by the Coen Brothers. Set in 1941, it stars John Turturro in the title role as a young New York City playwright who is hired to write scripts for a film studio in Hollywood, and John Goodman as Charlie Meadows, the insurance salesman who lives next door at the run-down Hotel Earle. The Coens wrote the screenplay for Barton Fink in three weeks while experiencing writer's block during the writing of Miller's Crossing. They began filming soon after Miller's Crossing was finished. The film is influenced by works of several earlier directors, particularly Roman Polanski's Repulsion (1965) and The Tenant (1976).

The film currently holds a fresh rating of 90% on Rotten Tomatoes and Roger Ebert gave it 3.5/4 stars, saying this in his review, "Like all of the Coen productions, “Barton Fink” has a deliberate visual style. The Hollywood of the late 1930s and early 1940s is seen here as a world of Art Deco and deep shadows, long hotel corridors and bottomless swimming pools. And there is a horror lurking underneath the affluent surface. Goodman, as the ordinary man in the next room, is revealed to have inhuman secrets, and the movie leads up to an apocalyptic vision of blood, flames and ruin, with Barton Fink unable to influence events with either his art or his strength. “Barton Fink” is above all a black comedy in the tradition of David Lynch, Luis Bunuel and the Coens themselves. Turturro is the right man for the role, making Fink a plodding, introspective, unsure intellectual whose lack of insight is matched only by his lack of talent."

We will be meeting Thursday, July 17 at 5:30 pm

Here's a trailer:

https://www.youtube.com/watch?v=WK0WjWlVO9w&t=7s

Hope to see you there!