March Film Club

 It's March and that means an Irish film for Film Club. This month we will be watching Jim Sheridan's The Boxer.

The Boxer is a 1997 Irish sports drama film written and directed by Jim Sheridan and co-written by Terry George. Starring Daniel Day-Lewis, Emily Watson, and Brian Cox, the film centers on the life of a boxer and former Provisional IRA volunteer Danny Flynn, played by Day-Lewis, who is trying to "go straight" after his release from prison. The film is the third collaboration between Sheridan and Day-Lewis and portrays different factions within the IRA. In preparation for the role, Daniel Day-Lewis trained as a boxer in Ireland for a year. The film currently holds an 80% fresh score on Rotten Tomatoes and Roger Ebert gave it 3/4 stars saying this in his review, "Jim Sheridan’s The Boxer isn’t the usual pugilistic grind — the ring becomes a backdrop for something deeper: a man seeking peace in a city torn apart by old wounds. Daniel Day-Lewis gives Danny Flynn a quiet strength, not just as a fighter but as someone trying to rebuild his community and his heart. Sheridan balances politics, romance and the struggle to forgive with a craftsman’s care, making this more than a boxing movie — it’s a portrait of endurance in a place desperate for healing."

We will be meeting Thursday, March 26 at 5:30 pm

Here's a trailer:

https://www.youtube.com/watch?v=qc0AxFQMm9o

Hope to see you there!

February Film Club

 Hello everyone! 

For the month of February I sometimes choose a romantic comedy, this is one of those Februarys. 

We will be watching Woody Allen's Annie Hall.

Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by Diane Keaton in a role written specifically for her. Regarded among the greatest films ever made, it ranks 31st on AFI's list of the 100 greatest films in American cinema, 4th on their list of the greatest comedy films and 28th on Bravo's "100 Funniest Movies". It currently holds a 97% on Rotten Tomatoes and Roger Ebert initially gave it 3.5/4 stars and later gave it 4/4 adding it to his list of The Great Movies, saying this in his review, "“Woody Allen’s Annie Hall… dares to go into this material a little more seriously and cohesively than is usually the case in an Allen film. Annie Hall is a comedy, yes, and there are moments in it as funny as anything Woody has done, but the movie represents a growth on Allen’s part… From a filmmaker who would do anything for a laugh… this film is much more thoughtful and (is it possible?) more mature… At the end of the affair, we’ve learned only two things for certain: that enduring relationships are very likely impossible in this time and place… and that life without the search for relationships is unthinkable. In Annie Hall he makes it very funny, and sad, and tricky indeed.”

We will be meeting Thursday, February 26 at 5:30 pm

Here's a trailer:

https://www.youtube.com/watch?v=Bj4ZoeRMHwU

Hope to see you there!

January Film Club

 Happy New Year!

Thank you to everyone who made it out last month for The Green Knight, even though I completely forgot to make a blog post or booklet! Hey, there's a baby in my house now, I've been distracted.

Anyway, a new year always brings with it a whole slew of new movies. We will be starting 2026 with Martin Scorsese's After Hours.

After Hours is a 1985 American neo-noir black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from Manhattan's SoHo district during the night.

After Hours grossed only $10.1 million in the United States, but was given positive reviews and has since been considered an "underrated" entry in the director's filmography. The film won Scorsese the Best Director award at the 1986 Cannes Film Festival and allowed him to take a hiatus from the tumultuous development of The Last Temptation of Christ. It currently holds a 90% fresh rating on Rotten Tomatoes, Roger Ebert initially gave it 4/4 stars and later added it to his list of The Great Movies, saying this in his review, "Martin Scorsese’s “After Hours” is a comedy, according to the strict definition of that word. It is, however, the tensest comedy I can remember, building its nightmare situation step by insidious step until our laughter is hollow, or defensive. This is the work of a master filmmaker who controls his effects so skillfully that I was drained by this film – so emotionally depleted that there was a moment, two-thirds of the way through, when I wondered if maybe I should leave the theater and gather my thoughts and come back later for the rest of the “comedy.” The result is a film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero.

We will be meeting Thursday, January 22 at 5:30 pm.

Here's a trailer:

https://www.youtube.com/watch?v=BkruzyfYR4A

Hope to see you there!