It seems only appropriate, here on Halloween day, to discuss a few
horror movies. I've made a short list of horror films that don't quite fit in with their brothers and sisters.
I'm talking horror films that are unlike others in at least some way,
films that are refreshingly different, not perfect, granted, but still original
enough to be more enjoyable than your run of the mill tripe that gets pumped
out of Hollywood
(I'm looking at you Marcus Nispel). These aren't going to be in order of
how much I like them or anything like that so don't bother with that. I'm
basically going to put them down as I think of them (see, isn't that more fun?)
Let's go.
1. Martyrs
(2008)
Yikes...this film is rough. I
mean really rough. Probably one of the most horrifying horror movies I've
ever seen. It never lets up, it starts hard and ends harder, we, as the
audience, never get any relief from this film, yet we keep watching, we must
keep watching. The violence in this film is extreme, and it's relentless,
uncaring, brutal, ferocious and depraved. There is torture that would
make Saw and Hostel run for cover. That said, this film is far different
and leagues better than all the other films in both series. Where Saw and
Hostel (especially the later installments of Saw) fit into the category they
helped create, that of "Torture Porn"...where we "get off"
on the images of death and torment. Martyrs does not do this. There
is no satisfaction in watching what happens, it is devastating. This film
burns itself into your brain and leaves you thinking about it for days.
I just watched
this last night, yup, last night. This is a very fascinating film, almost
more psychological thriller (with some horridly violent scenes) than straight
horror film. The premise is that the population of a town in New Hampshire
disappeared in 1940, just packed up random things and headed off down a trail
called? You guessed it, YellowBrickRoad. A team of people, photographers,
filmmakers, writers, what have you, come to the town (called Friar) to
investigate the story, now 70 years old. Once they set off down the
trail, things get...weird. Music is heard in the distance, in the middle
of nowhere, miles from civilization, seemingly from every direction.
People start to break down, and then the hits the fan.
What I really liked about this film was the fact it made an effort
to be more character driven than what we're used to seeing, that and the fact
it's just so blasted weird and horrifying. The end falls apart a bit, I
kind of knew it would about half-way through the film, but regardless, it was
an intense, scary film I would recommend to anyone who likes a little
low-budget horror.
3. House
(1977)
You like your horror films to be crazy? Well then House is the film for you. There is no easy way to explain this film. Take the styles and stop-motion of Tim Burton, toss in a little bit of Dario Argento's colors, a piano that eats people, severed heads that fly around, and make it Japanese and you might get close. The main characters are all (seemingly) teen-aged Japanese girls, who are basically a caricature of woman in general, Japanese women in particular. There is a bizarre love story that plays simultaneously with the main story (a flashback I believe) that is there to add some extra depth and horror to the story, when you consider what happens to all the guests of the house. It's like the filmmakers took some acid and started shooting, seeing as how the film gets crazier and crazier (and then they somehow slipped the audience some). Oh yeah, and there's like a demon-ghost cat as well...how could one not love this film?
You like your horror films to be crazy? Well then House is the film for you. There is no easy way to explain this film. Take the styles and stop-motion of Tim Burton, toss in a little bit of Dario Argento's colors, a piano that eats people, severed heads that fly around, and make it Japanese and you might get close. The main characters are all (seemingly) teen-aged Japanese girls, who are basically a caricature of woman in general, Japanese women in particular. There is a bizarre love story that plays simultaneously with the main story (a flashback I believe) that is there to add some extra depth and horror to the story, when you consider what happens to all the guests of the house. It's like the filmmakers took some acid and started shooting, seeing as how the film gets crazier and crazier (and then they somehow slipped the audience some). Oh yeah, and there's like a demon-ghost cat as well...how could one not love this film?
4. Rubber (2010)
House is pretty crazy. This might be crazier, if merely in concept alone. A tire, named Robert, becomes sentient and goes on a killing spree. Yes, that is the actual plot of the film. It's funny, gory and downright insane! (I stole that from a movie poster, but it's the best way to describe it.). It begins with a police officer explaining that this film is an homage to the "no reason", asking a series of questions pertaining to other films and merely replying, "no reason" (i.e. In the excellent "Texas Chainsaw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands, like people in real life? Absolutely no reason!) We see an audience of people standing out in the desert, watching the "film" of Robert on his rampage (what we are seeing) through binoculars. It's all very bizarre. Strange subplots that seem to be connected, or not connected to anything else in the film, abound. This is another entry for you if you enjoy films that make you scratch your head.
Yeah, that Blair Witch Project. In recent years we have seen a slew of films that are made in the "found footage" style (think Paranormal Activity, [REC] and it's remake Quarantine, Cloverfield, The Last Exorcism, etc.). Not a completely new idea (Cannibal Holocaust came out in 1980), but what makes The Blair Witch Project exceptionally terrifying is that not only did it claim to be real (constructing a website about the myth of the Blair Witch, setting up an abandoned car where it was said the kids disappeared) it felt like it could very well be real, just a bunch of college kids going off into the woods making a documentary about a local legend. I will admit that subsequent viewing of this film are nowhere near as good as the first time, but, the end, specifically the last 10-15 minutes are gold. It never fails to make my heart pound even though I know how it ends.
6. Eraserhead (1975)
I don't normally consider this film to be horror, but it fits nicely into this list. This film is a nightmare. It's like literally watching someone's nightmare, always wishing they would wake, but they never do. This is David Lynch's first feature film. The landscape in the film (seemingly post-apocalyptic, industrial wasteland) mirrors Lynch's feelings about where he was living at the time (Philadelphia I believe), the rest of the film mirrors his fears of becoming a father. This is essentially the crux of the film. All parents hope their children are healthy and normal, but they will love them regardless. The man in Eraserhead has a child that is neither of those two things. It is deformed and sickly. He tries to take care of it, raise it, make things right with his girlfriend, all the while trying to escape into a fantasyland he imagines in his radiator....yeah, radiator. Exceptionally bizarre, hauntingly crafted, this film will drive you to the limits of your sanity.
7. Phantasm (1979)
I love this film. This is what I want to see when it comes to horror, something original. You have your masked murderers, your psychos, backwoods freaks, demons, ghosts, etc....and then you have the Tall Man. What is he? A mortician...maybe. What does he want? Dead bodies apparently, as he drives his hearse from graveyard to graveyard, robbing graves. He brings them back to the morgue/funeral home, but what does he do with them? The answer to that question is a nice bizarre one that you'll have to watch the film to find out. From small hooded men to flying silver cranial boring metal spheres, to corny but genuine humour, to terrifying bloody violence, this film has it all. Another interesting thing with this film is that it spawned three sequels, all directed by the same director, that tie in to this film and explain things about the story by furthering and expanding it. I highly recommend this to anyone who considers themselves a fan of horror.
And that's it. I'm only gonna do 7. "What kind of list only has 7 on it? Why not 5 or 10?"
No reason.
Happy Halloween everyone!
6. Eraserhead (1975)
I don't normally consider this film to be horror, but it fits nicely into this list. This film is a nightmare. It's like literally watching someone's nightmare, always wishing they would wake, but they never do. This is David Lynch's first feature film. The landscape in the film (seemingly post-apocalyptic, industrial wasteland) mirrors Lynch's feelings about where he was living at the time (Philadelphia I believe), the rest of the film mirrors his fears of becoming a father. This is essentially the crux of the film. All parents hope their children are healthy and normal, but they will love them regardless. The man in Eraserhead has a child that is neither of those two things. It is deformed and sickly. He tries to take care of it, raise it, make things right with his girlfriend, all the while trying to escape into a fantasyland he imagines in his radiator....yeah, radiator. Exceptionally bizarre, hauntingly crafted, this film will drive you to the limits of your sanity.
7. Phantasm (1979)
I love this film. This is what I want to see when it comes to horror, something original. You have your masked murderers, your psychos, backwoods freaks, demons, ghosts, etc....and then you have the Tall Man. What is he? A mortician...maybe. What does he want? Dead bodies apparently, as he drives his hearse from graveyard to graveyard, robbing graves. He brings them back to the morgue/funeral home, but what does he do with them? The answer to that question is a nice bizarre one that you'll have to watch the film to find out. From small hooded men to flying silver cranial boring metal spheres, to corny but genuine humour, to terrifying bloody violence, this film has it all. Another interesting thing with this film is that it spawned three sequels, all directed by the same director, that tie in to this film and explain things about the story by furthering and expanding it. I highly recommend this to anyone who considers themselves a fan of horror.
And that's it. I'm only gonna do 7. "What kind of list only has 7 on it? Why not 5 or 10?"
No reason.
Happy Halloween everyone!
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